BLOGGING STRONG SINCE 2008
11/16

Do E-Books Serve Independent Literature?

By Kevin Murphy

I’ve spent time lately learning how to format manuscript and book cover files for digital publishing platforms. If you’re familiar with HTML and CSS, the process isn’t too difficult or even that scary. It merely entails converting files via a digital uploading platform and then going through the converted files to make sure that the text is formatted accurately.

Converting files of fiction is a pretty simple process. After all, the fewer formatting requirements a file has, the fewer times something has the chance to go wrong — just make sure paragraphs break where they’re supposed to, margins are aligned and indentations set at the same inch ratio, and, for the most part, the rest is smooth sailing.

Poetry, on the other hand, is like dealing with an insufferable kid with peanut butter and jelly all over his hands sitting in the back of your new car kicking and screaming, all while you’re trying to navigate inner city rush hour traffic. In other words, it’s a bitch. But no matter, what doesn’t kill you makes you stronger. And formatting so many impromptu line breaks and off-key indentations has got to be worth something, right? Right.

Anyway, my point here isn’t to moan about formatting. I actually enjoy it. Rather, I’d like to ask a question: Does independent publishing have much to gain by publishing books on a digital platform?

The obvious and easy answer is yes. Of course it does. Digital publishing provides a vast and diverse readership, one that is in some ways difficult to attract through traditional modes of distribution. Digital publishing is cheap and relatively easy to do and if trends are to be believed, more and more people are reading on Kindles/iPads/etc.

The not-so easy and more complex answer is no. Independent publishing doesn’t have much to gain by publishing on a digital platform. At least for now. For all the talk about reaching a new and different set of readers, I don’t see that happening any time soon. Exceptions to the rule do happen, but it seems to me the only person interested in reading a digital book published by an independent publisher is the very person interested in the same book published as a paperback.

Publishing  (and selling) an E-book raises the same sales challenges that publishing a paperback does: How do you break the friend/family/community bubble and reach a wider audience? Sure, giving a reader the option of how he or she wants to read a book is the practical, smart thing to do. But I wonder, if a person is interested in a title as a matter of course, doesn’t that mean he or she will purchase the title regardless of its platform?

I say this because, while publishing digitally is a cool and an interesting alternative, I don’t necessarily think it will have much impact on book sales. It’d be one thing if Dark Sky Books published mainstream (or authors with broader reputations) titles. As such, I definitely agree that books available both digitally and in print form set an advantage. But as it currently stands indie publishers usually only publish up-and-coming authors whose books are going to have a hard time attracting an audience that breaks the friend/family/community bubble.

Is that a negative assumption? Sure. But it’s also the reality. Nonetheless, I’ll continue to convert our books to E-books (available soon!).

But answer me this, readers of indie lit, wouldn’t you read the books anyway — if indeed you were interested in the title — even if they were published strictly as paperbacks?

7 Comments
Mel Bosworth said:

yes

Drew said:

I second that motion.

Very Little Holds This List Together | HTMLGIANT said:

[...] the Dark Sky Magazine blog, Kevin Murphy asks if e-books serve the interests of independent [...]

Adam said:

There’s only one difference here: physicality.

Books fill real-world space with matter. You can put things on them, like cups or broken-up marijuana. They can be spilled on and survive. My favorite books have misprints or water damage which, due to the physical limitations of paper technology, will never go away. It’s because of their physicality that books take on character in our minds. We develop relationships with them; they spend time with us. I think all of us prefer the book to its digital copy, if that’s the only issue.

The digital book lives under a different set of rules with its own advantages, though.

I tend to group ebooks with mp3s. Indie music labels exploit the digital copy’s infectious copy-ability to establish the broadest listener-base possible, then they charge a premium for physicality – shows, albums, merch, album packaging. (It’s no coincidence CD packaging got creative around 2000).

It helps that indie labels spread pre-internet through lending and borrowing. I think it’s the same for indie presses, yeah? For sure I’ll never buy a book or an album now from an artist I haven’t already experienced and loved.

Dawn. said:

Yes. Really, I prefer paperback for full-length collections/novels.

My preference is probably because I don’t have any kind of e-reader (not interested) and my cell phone doesn’t even have a camera (too poor for a nicer one), so I’m either reading via my desktop or reading an actual book.

jmbg said:

I’m more inclined to buy whatever is cheaper. Digital publishing is cheaper. But, digital publishing is more likely to be pirated and popular, but not making anyone money. I leave it to publishers to figure it out.

Kevin Murphy said:

Adam, yeah. I’m w/ you. Also, spreading/lending, it seems to me a natural way to get more out there more. Like Vouched, for instance. I enjoyed your interview, by the way. Wanna get down with that venture…

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